Beyond physical restoration, repair holds the power to heal communities scarred by centuries of colonial violence, unaddressed trauma, and historical injustice. In Palestine, repair becomes a vital act of diagnosis—confronting both the material destruction of life, land and infrastructure by occupation and the deep intergenerational wounds carried by its people. But what can truly be repaired? Can new forms of reconstruction emerge that mend not just buildings, but also the environment, memory, and collective resilience?
Participants:
Khaldun Bshara, Assistant Professor at Birzeit University, Palestine
Khaldun Bshara is an architect, restorer, and socio-cultural anthropologist. He serves as an assistant professor in the Department of Social and Behavioral Sciences at Birzeit University and is the Editor-in-Chief of the Jerusalem Quarterly Journal. From 1994 to 2024, Bshara was actively involved with the Riwaq Centre in Ramallah, where he served as director from 2010 to 2020. His work at Riwaq focused on documenting, protecting, and restoring Palestinian built heritage.
Dana Abbasm, Unit Director at Riwaq Center for Architectural Conservation, Palestine
Dana Abbas is an architect and researcher based in Palestine, currently working at Riwaq Center for Architectural Conservation. In 2016, Dana completed her master’s degree in Research Architecture at Goldsmiths University of London, being awarded the UK government’s international scholarship “Chevening” in 2015. Her practice and research tackles questions of urban identity in Palestine in general and Jerusalem in specific. Dana is a lead architect at The Life Jacket Project run by Riwaq aiming at the rehabilitation and revival of Jerusalem’s rural areas.
Emilio Distretti, Research Tutor at the Royal College of Art, London
Emilio Distretti is a London-based researcher and educator at the Royal College of Art’s School of Architecture. His work bridges writing, teaching, and collaborative practice toinvestigate the afterlives of colonialism—through decolonial preservation, spatial justice, and transnational struggles for reparations. Emilio holds a PhD in “Aesthetics and the Politics of Representation” from Portsmouth University and previously directed the Urban Studies and Spatial Practices program at Al Quds Bard College in Abu Dis, Palestine. He is together with Husam Abusalam a partner in the Architecture of Repair in Palestine collective and podcast.
Husam Abusalem, PhD Researcher at the University of South-Eastern Norway
Husam Abusalem is a researcher working across architecture, art, and cultural heritage. He is currently a PhD researcher at the University of South-Eastern Norway, where his doctoral thesis explores the question: “What does dignity mean to the oppressed?” In 2020, he completed a two-year post-master’s program in Decolonizing Architecture at the Royal Institute of Art in Stockholm. He is a member of the Entity of Decolonization, an active collaborator with DAAR (Decolonizing Architecture Art Research), and a partner in the Architecture of Repair in Palestine collective and podcast.
The moderator for the talk is Didem Yildirim, who leads the ongoing project Bringing Objects to Life – and Challenging the Museum's Colonial Histories at the National Museums of World Cultures. She also holds a postmaster's degree in Decolonizing Architecture from the Royal Institute of Art in Stockholm.
Architecture of Repair in Palestine is a nomadic forum that brings together architects, conservators, artists, community members, activists and academics to discuss, imagine and elaborate visions of repair for the liberation of Palestine. The project manifests through multiple/parallel collaboration taking different shapes in discussions, conversations, workshops, practice, and writings. Architecture of Repair in Palestine is organised in collaboration with the School of Architecture at the Royal College of Art in London.
In collaboration with Swedish institute of international affairs, The Swedish Research Institute in Istanbul and IASPIS - the Swedish Arts Grants Committee's International Program for Visual and Applied Arts
The annual pass costs SEK 200 and is valid for 365 days from the date of purchase. The annual pass is valid for the Museum of Ethnography and the Museum of Mediterranean and Near Eastern Antiquities in Stockholm. Another option is an Annual Pass Support for SEK 350, valid for 365 days from the date of purchase, which also gives you entry to the Museum of World Culture in Gothenburg
Among other things, the annual pass gives you discounted prices on several events and family activites
The National Museums of World Culture also include the Museum of Far Eastern Antiquities, which is currently closed for renovation and will reopen in 2026.